Dancing for life: GVSU physical education experts say coaxing K-12 students' dance creativity in class can encourage lifelong movement
Two movement science faculty members are working to encourage a more creative, playful approach to dance instruction in physical education classes, rather than the formalized lessons that are familiar to many.
The many benefits of this approach include developing physical literacy and setting the stage for lifelong enjoyment of a pastime that benefits health through physical activity, said Ingrid Johnson, professor of health and physical education, and Tess Armstrong, assistant professor of health and physical education.
They were co-authors of a recent article in the Journal of Physical Education, Recreation and Dance examining dance in a physical education setting. They advocate for techniques that stray from the "skills-and-drills" approach of teaching dance to one that engages student participation through play and exploration.
They also received a Teaching Innovation Grant from the Pew Faculty Teaching and Learning Center at Grand Valley to bring this training to GVSU through a March 26 virtual conference.
This work also helps those being trained as physical education instructors to look beyond traditional views of those classes, Johnson said.
"As part of our job teaching physical educators, we want to give a well-rounded view that teaching physical education isn’t just playing sports," Johnson said.
Still, when it comes to K-12 class instruction in dance, one of the first challenges is encouraging students to dance like nobody's watching when they feel like all eyes are on them, the educators said.
Armstrong said a more conventional approach to dance involved lining up students, teaching them steps and asking them to replicate the instructor. Students quickly noticed if they made a mistake and then many became self-conscious and even discouraged.
So instead, Armstrong said, physical educators can encourage students to scatter to their own spot, start playing music and coax creativity by engaging their imagination and even silliness. Teachers, for instance, can start with some disco moves, then ask students how they want to do it.
"You can say, 'You don't have to look like me,'" Armstrong said. "The first step to creative dance is 'Here’s a move. Show me how you want to do that move.'"
Before long, most students, caught up in their imagination, aren't looking at the rest of the class, Armstrong said. They start to gain confidence.
As the class continues, instructors have created an atmosphere where they can evaluate for age-appropriate benchmarks such as the ability to choreograph, how moves flow together and more, Armstrong said.
Johnson added, "By the end of a dance unit, if students feel good about moving their bodies in front of their class, that’s a success."
Another advantage of this approach to physical education? Creating a safer environment for a wider range of students, not just athletes, Armstrong said.
Armstrong, who teaches courses on dance technique instruction, said even some of the GVSU students are skeptical about or intimidated by the concept. But class evaluations show they eventually come around. Armstrong emphasizes they aren't music experts, they are movement experts.
And there's no denying that dance is a beneficial physical activity that raises the heart rate; Armstrong is known to have those in a class at the tennis courts dance to warm up.
Johnson also noted a conventional emphasis on team sports in physical education doesn't translate for most people through a lifetime. But an activity such as dance can.
"For me and for our program in general, the main goal of physical education is educating students about their bodies, their movement and how to be an active human for the rest of their life," Johnson said.
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